Which side of the Great Divide do you make music on? Are you a messenger or an entertainer? A timeless teller of tales or a cutting-edge groundbreaker? What can we learn from the songsmiths of the first half of the twentieth century that might be missing from the provocative musical pioneers of the second half?  

In these complex times, the need for songwriters and performers to function as messengers, as opposed to pure entertainers, is greater than ever. While a pure entertainer works to divert an audience’s attention from “everyday life” and worldly matters, a messenger works to shine a spotlight on issues of personal and social purpose and relevance. But without delivering a message through an entertaining, user-friendly format, a song’s deeper meanings may be lost. Ideally, an artist functions as both an entertaining storyteller AND a provocative truth-teller.  

Join in part two of this conversation where JP addresses the gifts and the hazards of following the traditions and trends in pre- and post-rock-and-roll popular music.

 

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Something really big and really important happened to popular songwriting between the years of 1950 and 1969. Many things, actually. And we are still reeling–socially, creatively, psychologically, and politically. Come take a journey back in time and then forward and back again as we mine the fields of recent history looking for musical gems and touchstones that can be put into immediate use in our songs, performances, and understanding of what we hear. This is part one of a two part conversation.

 

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At a certain level, all creative endeavors share a common root structure–a well of creativity from which all are free to draw inspiration. By looking outside the language of your particular field, you may find hidden solutions to your artistic challenges and surprising breakthroughs in your ability to express yourself. Join JP as he explores how you can bring more music into your life and more life into your music by borrowing principles and practices from six other art forms, including cooking and sex, and applying them to your musical creativity.

 

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